- 正在播放：欧洲的某个地方 - HD中字
- 提醒不要轻易相信视频中的广告，谨防上当受骗!
- 如果无法在线播放请重新刷新页面，或者切换线路。
- 视频加载速度跟网速有关，请耐心等待几秒钟。
欧洲的某个地方 HD中字
1948 / 其它 / 电影
状态：HD中字
扫一扫 手机免费观看更方便
《欧洲的某个地方》 HD中字
欧洲的某个地方
点击量 | 日:621 | 周:859 | 月:429 | 总:168
年份：1948地区：其它类型：剧情
导演：Radványi,Géza
主演：Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki
版本：1080p高清未删减完整版
更新时间：2025-04-18
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
提示：[DVD:标准清晰版] [BD:720p高清完整版] [HD:1080p超清未删减版]，BD和HD版本不太适合网速过慢的手机在线观看。
猜你喜欢
相关推荐
- HD中字7.0
影片改编自真实故事，讲述两名时运不佳的音乐人（休·杰克曼与凯特·哈德森 饰）组成一支充满欢乐气氛的尼尔·戴门致敬乐团，证明了寻找爱情和追逐梦想永远不会太晚。
- HD中字9.0
《蜘蛛男》是“江户川乱步作品集”第七卷。故事开头，怪绅士稻桓租下了一间事务所，把它重新装修成美术艺品店。第二天开业时聘用了一名十八岁的美少女，但当天晚上就奸杀了这名少女。接下来的
- 正片2.0
刚来到小镇上的警察威尔（希米什·帕特尔 饰）和流氓搭档泰利（约瑟夫·高登-莱维特 饰）在一宗被误认为是入室抢劫的案件中意外发现了一百万美元。殊不知这笔不义之财背后藏着巨大的阴谋，
- 正片2.0
刚来到小镇上的警察威尔（希米什·帕特尔 饰）和流氓搭档泰利（约瑟夫·高登-莱维特 饰）在一宗被误认为是入室抢劫的案件中意外发现了一百万美元。殊不知这笔不义之财背后藏着巨大的阴谋，
- 中文字幕1.0
日和与丈夫婚姻美满。他们与日和以前的老师重逢，老师的丈夫也曾是一名教师，为了表达对老师的敬意，如今也成为了一名教师。日和曾爱慕着他。与老师重逢后，日和再也无法忍受，于是前往老师家
- 中文字幕2.0
冬夜。她们身着可爱又性感的圣诞老人装束，与男人们一边喝啤酒一边聊天。气氛逐渐升温，她们甚至大胆地进行了一些肢体接触。随着时间的推移，气氛愈发暧昧，欲望也随之增长，最终演变成性爱
- 正片5.0
在从拘留中心获释后，无证移民艾莎搬到了纽约市，发誓要逃离追逐她的种种困境。在皇后区，她爱上了刚退伍的军人斯金纳，他们互相扶持，共同面对在美国开始新生活的种种复杂挑战。这是一个关于
- 正片1.0
在从拘留中心获释后，无证移民艾莎搬到了纽约市，发誓要逃离追逐她的种种困境。在皇后区，她爱上了刚退伍的军人斯金纳，他们互相扶持，共同面对在美国开始新生活的种种复杂挑战。这是一个关于
- 正片5.0
在地球的最后一天，被洪水淹没的公寓中的这场奋力求生很快成为人类生存的最后希望。
- HD中字5.0
老甘常年守在劳务市场靠打零工，常常无功而返。为此，正在上高中的儿子打心眼里瞧不起父亲，父子关系紧张。老甘邂逅多年的朋友老肖，为其打工，可好景不长，老肖另辟生意，于是建议老甘把车买
- 正片9.0
1945年抗战胜利前夕，侵华日军第七三一部队在哈尔滨平房区以“给水防疫”为名，秘密进行惨无人道的细菌战研究，大肆抓捕平民进行活体实验，妄图以此扭转败局。小贩王永章（姜武 饰）等人
- 中文字幕3.0
哥哥出差期间，和也独自一人和嫂子待在一起。他一边想着嫂子一边自慰，嫂子主动提出满足他的性欲。最终，两人尽情享受，直至尽兴。第二天，在哥哥回来之前，和也和嫂子激情缠绵到天亮
- 中文字幕9.0
奈穗遇到了她多年的挚友南，南的炫耀让她心生嫉妒。同时，她也因南平凡的生活而感到痛苦。奈穗无法在人前表露自己的真实感受，只好强颜欢笑地离开了家。这时，另一个同样缺钱的朋友打来电话，
- 正片2.0
犹太会堂水管爆裂，基督教堂伸出援手。当两位合唱指挥筹备圣诞-光明节联合礼拜时，宿敌妮基与杰克必须放下旧日较劲，用歌声缝合社区的裂隙。
- 正片2.0
本片的主人公是上田唯士（岛田铁太 饰），10岁，小学四年级。他是个普通的男孩，喜欢小动物。然而，这个“普通的男孩”恋爱了！他的心动对象是三宅心爱（瑠璃 饰）——一位热衷环保的“环
- 中文字幕2.0
她的丈夫以工作为借口疏于享受夜生活，最终她怀疑他有了外遇，于是她也开始寻找新的恋情。但她说服自己，这并非出轨，而仅仅是对爱情的渴望
- 中文字幕5.0
尤里是一名酒吧女郎，在一家肥皂店工作，为顾客缓解疲劳，满足他们的各种需求。每天，尤里都全心全意地为顾客服务，真诚热情，体贴入微。她的付出似乎得到了顾客的认可，顾客发出愉悦的呻吟，
影视评论
耶～～复制成功